How To Equalize and Compress An Audio Recording

To many music producers, equalizing and compressing an audio recording is quite a job. There is a need to compensate for the noisy and quiet parts of a sound or instrument so that its behavior is a little more predictable. Pressure emphasizes soft elements and tames noisy parts in a recording, so it does not consistently control the mixer volume control (or the standard mixer in DAW). In its simplest form, a compressor, whether in a hardware module or a plugin, compresses the sound so that its vibrations and rises are less clear. For example, you can reduce the size of a compressed trajectory without worrying about losing less smooth parts, or increase the volume without worrying about leaving high parts. It may be useful to consider all compression parameters (attack, release, percentage, and limit) as methods of compression of sound. Insufficient pressure leaves traces that fall out of the mixture at the wrong time or lost due to noise from other machines. Excessive pressure can make the sound path lifeless or uninspired. You should be less aggressive when compressing sound on the way to DAW (because you won’t move on with everything you do) and more aggressive when compressing the plugin (because you can connect it at any time).

Equalizer

An equalizer is an indispensable tool. It can also be the fastest way to distort the sound of a mix. Overuse of EQ comes second after overuse of Echo as a trademark of an inexperienced mixing engineer. The equalizer should be used to capture the sound of the track you are working on so that it blends well with other tracks in the mix.

Vocal Pressure

Since singing is the essential component of any popular music mix, vocal pressure plays a significant role. Getting sound that blends in well with the mix requires a mixture of pressure, equalizer, and volume control, which are often automated. This is a fairly common practice to squeeze a little on the way to your DAW. This should not be an aggressive form of compression, sufficient only to tame some higher parts of the volume so that the total recording volume becomes warmer.

One approach to the audio series is; a microphone on the compressor equipment, and then directly on the DAW. To achieve this set the attack settings on the hardware compressor for about 30 milliseconds, and the release settings for about one second, the compression ratio to 3: 1.play with a threshold and check that they gain limit on the hottest parts sound is a maximum of 3 dB. This leaves me a place in the mix for more compression with the compression plugin. The danger of excessive pressure on the path gets stuck at the end of the pressed song, not being able to change it later.

Sound Pressure in the Mixture

When you sing in the mix, go to the optional compressor to continue singing in the mix without jumping too loud in high places. I recommend finding a compressor with a smooth and transparent sound that will allow you to move the sound a little further (reduce the gain by 3 dB in the highest places) until the music retains its presence. Set the attack to 26 milliseconds and empty it by about 300 milliseconds. If the mix is ​​particularly saturated, and the sound should decrease slightly and show a higher brightness, use a special frequency compressor (for example, Waves C4 in the “Pop Vocal” configuration), which is somewhat more specific in terms of compressible frequencies. Learning how to equalize and compress an audio recording does require not only concentration but also the passion for music.

How to Learn the Modes of Major Scale

The modes on the major guitar scale are an inevitable step for those guitarists. Modes are scales based on a common major scale. You can tackle any large-scale one, and you can build seven different modes depending on each class. You can spend the rest of your life playing the guitar, experimenting only with these modes on major scales, and a few chords to get through most of the situation or the group’s performances.

How to learn the modes of the major scale

The first thing to learn modes on a major scale in the shape of the scales themselves. The main major scale is a seven-thread scales (for example, the C = C, D, E, F, G, A, B key), so you need to study seven forms – each shape starts with the corresponding scale note for line E.

When you start learning modes, you have to learn differently. Each playable key has seven main modes. The seven seven-way keys are 49 different guitar scales you can play with! Guitar scale modes are created depending on where you start and end playing. But the major scale has seven modes – Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian.here is a brief on how to learn them.

Ionian Mode

This is a “simple” or standard mode. When you first learn the guitar scale, you will first study the ion mode (or wind mode, but we will talk about this later). Ion mode means just starting and ending the game on the scales using the main tone. The formula is as follows: Root tone -T-T-ST-T-T-T-ST, where T means full tone or 2 mills, and ST means halftone. If you play in uppercase C using ion mode, the first note you touched is C, and the last note you touched is C.

Dorian Mode

Widely used in rock music. Playing the guitar in Dorian means you start and end with the second tone of the scale. So, to play Dorian in C major, the first and last notes are D.

Phrygian Mode

To play Phrygian mode, start and end on the third tone of the stairs. To use C as a key pattern, Phrygian language mode starts and ends with note E.

Lydian Mode

It’s great to give your guitar “neo-classical” or even a renaissance (or, if you play jazz solo, this also works great). To play the guitar in Lydian Mode you need to start and end a solo or solo on the fourth scale. So, in C, you start and end solo on note F.

Mixolydian Mode

It is widely used in solo rock and jazz guitars and can be easily played with chords. To play the guitar in Mixolydian, start and end the fifth tone of the scale. So in C you start and end the solo with a hint of G.

Aeolian Mode

This is the “natural small scale” of the ionic mode. Playing solo guitar in wind mode allows you to give it a slightly smaller scale. To play a solo in Aeolian Mode start and end a solo on note A.

Locrian Mode

This is a great way to create a high level of tension in a solo as it emphasizes the basic tone, a note that offers a future root note. For example, in large capital letters, the Locrian Mode begin and end with note B.

Home Music Studio Essentials – All You Need to Know

In this 21st century, it’s much easier to get yourself a home music studio if you are really an aspiring artist. To have a home music studio is somewhat popular these days, where you get to jam with your friends or other artists, and it doesn’t require much to initiate your own home recording studio.

Making your own home studio has become cheaper and accessible to all the producers, musicians, etc. With the advancement of technology, artists require fewer essentials to purchase than before. Creating your own home music studio may be tiresome and hectic, but with the help of the following essentials, you may find it easier to assemble all that you need.

This list of home music studio essentials will assist you in making music in your own bedroom or house, and you can work any time of the day at your own convenience.

But how do I begin with this idea of Home Music Studio?

The aim is not to give a thorough and comprehensive list of all the essentials one would think of using in the studio, because the list of musical equipment for recording is endless, but to provide some idea about how to start the home studio with the basic essentials.

The following list includes the Top 10 Home Music Studio Essentials that you simply cannot miss if you are planning to open your own home studio.

1. Computer

An essential component of any home studio is the computer as it the “brain” of the entire system. The faster is the processor with enough RAM, the quicker the work will be done along with easy and smooth multitasking. It is recommended that you run 16GB of RAM to use your computer as a machine that produces music.

2. Headphones and/or Speaker Monitors

While headphones are commonly and easily bought and used by many of us, the idea of having a pair of speaker monitors is too expensive and unviable. Either of the two is required to complete the home studio.

3. Audio Interface

This is simply a hardware tool that connects your instruments and microphones to the computer. So, basically, this would transmit audio signals to the DAW usually through a USB cord.

4. DAW (Digital Audio Workstation)

This is basically a software that you will require to edit your music, record, create audio and carry out anything else that you want. All the editing, recording, etc. is done using this DAW software. But you need to know how to use it. So, learn it well to perform well!

5. MIDI Keyboard

This component essentially connects to your computer and allows you to play instruments virtually on your DAW.

6. Pop Filters

Pop filters are essential because they act as noise protection filters, that are used in music studios.

7. Acoustic Panel for an Acoustic Treatment

The acoustic panels are used to improve the quality of the sound by reducing noise and enhancing the features of sound. These are a must-have in your home studio because these tend to control and eliminate noise.

8. Microphones

Two all-around headphones phones are recommended, especially if you are a beginner.

9. External Hard drives

The faster your hard drive can think or run, the smoother your music sessions will be. Hence, hard drives should be able to run at 7200RPM.

10. Third-Party Plugins

These are minute programs that give you extra functionality, and with these plugins, you will discover digital emulations that will make your journey in your home studio fantastic!